![]() Bakhtin agrued that the key to Rabelaiss narratives was to be found in their language of popular culture, which was intended to free his readers from the ideological prison house of official, establishment discourse to provide them with a nonofficial perspective from which to view-and combat-the establishment and its institutions. ![]() ![]() The publication of Bakhtins book in the West in the late 1960s brought both Rabelais and Bakhtin to the attention of students interested in the New Criticism in literature. Berrong demonstrates both the historical and textual weaknesses of the argument advanced by Mikhail Bakhtin and his influential study Rabelais and His World. Book Synopsis In Rabelais and Bakhtin, Richard M. ![]()
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